Gallery

Code: 31361

Framed

Certificate of authenticity by Karel Appel Foundation.

Private sale

Code: 31332

Unframed

Certificate of authenticity by Archivio Yasuo Sumi ID 655

Signed bottom right

Private sale

Code: 31193

Unframed

Important and historical work by Dorazio, executed in 1965 which has a rich exhibition curriculum and period publications. Literature, publications and exhibitions: - Artwork published in Catalogo Ragionato di Piero Dorazio: Marisa Volpi Orlandini, "Dorazio. Catalogo ragionato", Alfieri Edizioni d'Arte, Venezia, 1977, with no. 842; - 1966, St. Gallen/Schweiz, Galerie "Im Erker", repr.; - 1966, Lausanne, Galerie Bonnier; - 1967, La Chaux-de-Fonds, Musée des Beaxu-Arts, repr.; - 1967, Stockolm, Svensk-Franska Konstgalleriet, cited

Labels on the reverse: Galerie Im Erker, St.Gallen/Schweiz; Galerie Bonnier, Losanna; Svensk-Franska Konstgalleriet,Stockholm (April-May 1967)

Signed on the reverse

Private sale

Code: 30614

Framed

Certificate of authenticity by Fondazione Emilio e Annabianca Vedova stored no. FV387. Certificate of provenance by Studio G.R., Sacile.

Literature: "Vedova 1935-1984", by Germano Celant, ED. Electa, pp. 144 no. 118.

Private sale

Code: 30613

Unframed

Photo-certificate signed by the artist dated 1972, with declaration of authenticity notarized of his brother Dino Basaldella dated 1975. The work and the authenticity are archived in the Afro Foundation Archive in Rome, as confirmed by email from the Foundation itself.

Signed and dated bottom right

Private sale

Code: 30584

Framed

Photo-certificate signed by the artist; Photo-expertise of Galerie H17, Wien (Austria).

Signed and dated bottom left

Private sale

Code: 29228

Unframed

The authenticity of this work has been confirmed via email by Atelier Hermann Nitsch, Prinzendorf Certificate of authenticity by Im Kinsky Aktionhaus, Wien

Signed on the reverse

Private sale

Code: 28139

Unframed

Certificate of authenticity by Mascelloni Enrico with accompanying card.

Very rare and precious work by Leoncillo: it is the only one known at the moment made with black drops, as explained by the archiver Enrico Mascelloni in the text and accompanying file: "It belongs to a cycle of sculptures of various sizes made between 1958 and 1959, characterized by a black body on which red or more rarely black drops are arranged. The most famous (and larger) work of the entire cycle Grande Presagio of 1958 (Mascelloni / Galleria dello Scudo pag. 109-111) , known in two very similar versions (the second was recently hesitated at Christie's, Milan 2021, cat.). Contiguous in size, dating and typology to the sculpture in question are four works encrypted by red drops (see Spadoni / Galleria l 'Attic page 115 n.53), while this is the only one known at the moment characterized by black drops. and Leoncillo's cycle, datable between 1965 and 1968, the year of his death (Mascelloni / Galleria dello Scudo pagg. and Spadoni / Galleria l'Attico pag. 181 no 94). The sculptures with red or black drops actually open the final and pinota phase of Leoncillo's artistic career, characterized by a vehement modeling and a magmatic material, which although they have always belonged to her, now acquire a radically aniconic impact. The drops, as a tautological representation of blood in the red variant, return in the black one a less didactic symbolism: a recurring attention in him for the most precious chromatic and material textures, in a cosmogony of black that in the same years was returned with equal refinement and dramaturgical power only from fellow countryman Burri and the American Mangold ".

Private sale

Code: 28089

Framed

Certificate of authenticity by Archivio Yasuo Sumi with no. 328

Extraordinary work on large canvas by Yasuo Sumi dated 1957, for its quality, date of execution and measurements: it can be considered one of the most important of his production. It has a very thick impasto with a relief effect; it is in excellent condition, untraceable on the market

Signed bottom right

Private sale

Code: 28022

Framed

Certificate of authenticity and provenance on photo by Galleria Art U, Tokyo. Certificate of authenticity by Teoart, Rome

The work, as you can see from the image of the reverse, is considered to be executed on wood panel prepared with thin film before the artistic performance by Shiraga. It is signed on the reverse of the wood panel .

Signed on the reverse

Private sale

Code: 26601

Framed

Certificate of authenticity by Andrea Mardegan

Work published in the catalog "Yozo Ukita art works" 2015, Livre Tofoun, Kioto. Very rare work of 1961 by Yozo Ukita: the oldest existing on the market, the most important seen on the market in the last twenty years.

Private sale

Code: 23038

Framed

Photo certificate signed by the artist

On the reverse label of Studio De Ambrogi, Milano and label Galleria Spazia, Bologna (attached to the photo certificate)

Signed bottom center

Private sale

Code: 21043

Framed

Certificate of authenticity by Archive Yasuo Sumi ID 305

Work of great historic importance by Yasuo Sumi: it was displayed at the historic 9th Gutai Art Exhibition, 1960, Osaka, Takashimaya; displayed and published in the exhibition "Kaiga no Arashi show at Osaka National Museum of Art" in 1985, with catalog; displayed and published in the exhibition catalog "Action and Emotion, 50s Paintings, Informel, Gutai, Cobra", Osaka National Museum of Art, p. 85, September-November 1985. During the Golden years of the Gutai movement Yasuo Sumi realized very few works on such large canvases and it is estimated that the ones made in the early 1960s are no more than fifteen. The fact that this work was displayed in such important historic exhibitions makes it one of the most important within Sumi’s whole artistic production.

Signed bottom right

Private sale

Code: 21015

Framed

Photo certificate by Archive Alberto Biasi, archive no. N T.177

Signed "Alberto Biasi - Gruppo N, Padova" on the reverse

Signed on the reverse

Private sale

Code: 20709

Framed

Certificate of authenticity by Carlina Galleria d'Arte, Torino. Photo-certificate and certificate of authenticity by Fondazione Giulio Paolini.

Signed on the reverse

Private sale

Code: 20351

Framed

Photo certificate signed by the artist dated 19/07/1986. Archive Galerie Maeght Lelong, Paris, n. CO 05 7193

Provenance: Galerie Maeght Lelong, Paris; Galleria d'Arte Il Mappamondo, Milano; Galleria d'Arte Beniamino, Sanremo (Imperia)

Signed bottom right

Private sale

Code: 20405

Framed

Photo certificate by the Shozo Shimamoto Association archive no. 1309

Work exhibited at Galerie Sander, Germany in 1992; it was also displayed in various exhibitions in Japan. Work of great significance within the production of Shozo Shimamoto for various reasons: 1) the year of execution, in 1991, is important as the few bottle crash Shimamoto realized in the early 1990s were executed in the same way as the very rare ones he made in the 50s / 60s post-cannon period: the glass bottles shattered against the stones cast their shards and slivers onto the canvas; 2)its high quality; 3) the numerous exhibitions it took part in, notedly the one held at the Sander Gallery in 1992.

Signed bottom left

Private sale

Code: 31360

Framed

Signed and dated bottom right

Private sale

Code: 31327

Framed

Certificate of authenticity by Archivio Yasuo Sumi ID. 678

Signed bottom right

Private sale

Code: 31326

Framed

Certificate of authenticity by Archivio Yasuo Sumi ID. 833

Signed bottom right

Private sale