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Hole and mixed media on paper

cm cm 36,5x51,5

1962

Hole Esquisse

Code: 28088

Framed

Certificate of authenticity by Shozo Shimamoto Association ID 743 signed by the artist

Shown at Hundertmark Gallery - Koln Gallery (Germny, 1997) Very high quality artwork

Signed lower right

Private sale

Mixed media on canvas

cm 33,3x24,2

Post Gutai

Senza titolo

Code: 28024

Framed

Photo-certificate by Archivio Andrea Mardegan, Japan with Archive no. ID 835

Signed bottom right

Private sale

Acrylic, laquer and ink on styrene board

cm 39,8x26,3

Post Gutai

Senza titolo

Code: 28023

Framed

Photo-certificate by Archivio Andrea Mardegan, Japan with Archive no. ID 834

Signed bottom right

Private sale

Acrylic on paper mounted on panel

cm 15x10

1980 c.

Untitled

Code: 28022

Framed

Certificate of authenticity and provenance on photo by Galleria Art U, Tokyo. Certificate of authenticity by Teoart, Rome

The work, as you can see from the image of the reverse, is considered to be executed on wood panel prepared with thin film before the artistic performance by Shiraga. It is signed on the reverse of the wood panel .

Signed on the reverse

Private sale

Oil, wood and nails on canvas

cm. 65,5x53,3

1960

Untitled

Code: 28000

Framed

Provenance: Label of Sotheby's, Hong Kong, June 2014 on the reverse. Certificate of authenticity by Karuizawa New Art Museum, Nagano, Japan, archive no. MS-0001-01, hand signed by the artist.

Very rare work on canvas by Mukai dated 1960: the artist in a moment of madness in November 1965 burnt all the works in his studio (this is documented in the Ashiya Museum in Japan), thus, the ones from the 1960-65 period that were saved were really very few, so extremely rare and important as this one is.

Signed on the reverse

Private sale

Ink on paper

cm 29,2x37,6

1962

Untitled

Code: 27229

Unframed

Archivio Sumi ID 627

Signed bottom left

Private sale

Oil and enamel on canvas

cm 60x70

1963/1964

Forme sospese

Code: 26661

Framed

Certificate of authenticity by Archive Giulio Turcato No. rep. EP160713BM04FA. Work published in "Maestri Contemporanei, Presenze degli ultimi 40 anni ", Palazzo Frisacco, 2005, p. 58

It is an uncommon work by Turcato belonging to the restricted cycle of the Forme Sospese (Suspended Shapes) that he realized in 1963 and 1964 through a few paintings that have nothing to do with the more common Archipelagos: with the Suspended Shapes, Turcato views the object-consumption of daily life always in relation to its immense abuse and by means of his removal interventions the artist engraves the image, leaving it as if suspended in space; this aspect can be seen by zooming in on the shapes that make up the work.

Signed bottom right

Private sale

Mixed media and objects on canvas laid on wood panel

cm. 79x54

1961

Tears

Code: 26601

Framed

Photo certificate by Andrea Mardegan

Work published in the catalog "Yozo Ukita art works" 2015, Livre Tofoun, Kioto. Very rare work of 1961 by Yozo Ukita: the oldest existing on the market, the most important has been seen on the market

Private sale

Mixed media on canvas

cm 150x146

1993

Opus contra naturam (Shaped)III

Code: 26144

Unframed

Photo-certificate by the artist

Labels of Museo Magi '900, Pieve di Cento(BO) and Galleria Lelong, Paris on the reverse

Signed on the reverse

Private sale

Oil on canvas

cm. 60x73

1962

Senza titolo

Code: 26143

Framed

Photo certificate by the artist

Signed lower left

Private sale

Acrylic and glass on canvas

cm 140x106

2007

Heiwa No Akashi 2007-01

Code: 25656

Framed

Certificate of authenticity by Associazione Shozo Shimamoto with Archive no. 359 hand signed by the artist

Literature: "Shozo Shimamoto, recent works", from 10/05/18 to 30/06/18 at Galleria Dellupi Arte, Milano with label on the reverse, pp. 34, 35, 36, 37. Work displayed in the above exhibition as stated in the label on the reverse. Work belonging to an important performance by Shimamoto; here is an excerpt from an interview by Andrea Mardegan of the Shozo Shimamoto Association in which he asks the Master: “ One of your most important works in recent times is the monument to peace of Heiwa no Akashi a Shin Nishinomiya, the cement arena that you regenerate by casting bottles of color paint every year, on the condition that Japan does not enter war?” Shimamoto answers.: “It all started in 1986 when Bern Porter came to visit me. Bern Porter was a nuclear physicist that had participated in Project Manhattan during the Second World War, but who was shocked by the fact that a bomb was detonated over Hiroshima despite the emperor’s surrender… Bern Porter deeply regretted his contribution to the experiment, became a correspondence artist and began making pilgrimages around the world to ask for forgiveness. In my studio he cried, saying that to expiate his sins eight death sentences would not suffice. In that moment, I decided to promote world peace and shared my pacifist ideas with him. After learning of my activities, Bern Porter suggested me as a candidate for the Nobel Peace prize, which I did not win. I have, however, continued to promote peace and in 1999 gave light to the Heiwa no Akashi project”.

Signed bottom left

Private sale

Enamel on paper laid on canvas

24x27

1965

Uzumaki on paper 9

Code: 24955

Framed

Certificate of authenticity by the artist and issued by the Associazione Shozo Shimamoto, with archive no.315, Reggio Emilia

Stamp of Museo Magi '900, Pieve di Cento (Bologna) on the reverse

Signed bottom right

Private sale

Paer, acrylic and combustion on paper

cm 26,4x20

1964

Combustione

Code: 24933

Framed

Work registered at the Fondazione di Palazzo Albizzini, Città di Castello, with archive no. 1044

Literature: "Burri. Catalogo generale", Fondazione Palazzo Albizzini Collezione Burri, by Corà Bruno, Città di Castello, 2015, Vol. IV, p. 170, pl.1044.

Signed bottom right

Private sale

Embossing and punching on paper/3 pieces/8 holes

cm 52,2x67,7x3,3

1967

3 Pieces-b

Code: 24853

Framed

Photo-certificate by Art Court Gallery, Osaka. Label with statement and signed by the artist on the reverse

Signed bottom left

Private sale

Oil and mixed media on paper

cm 54x38

1956

Early Gutai Work Sketch 04

Code: 24852

Framed

Photo-certificate by the artist with Archive no. ID 90

Literature: "Yasuo Sumi", Spazio Arte dei Mori,Venezia

Signed bottom left

Private sale

Mixed media on mesh

cm. 170x90

1961

Senza titolo

Code: 23595

Framed

Photo certificate by Sumi Archive ID 309

Work displayed at Gutai Outdoor Exhibition, as reported on the certificate of authenticity

Signed bottom right

Private sale

Watercolor and ink on canvas

cm. 90x129

2000

Lancio Loco-cup 013. Crane performance in Itami

Code: 23040

Framed

Photo certificate by the artist. Photo certificate by Shozo Shimamoto Association, Archive no. 1056 with artist's handwritten signature

Signed bottom right

Private sale

Ink, enamel and mixed media on mesh fabric, fixed on wood panel

cm 150,5x100

1962

Untitled

Code: 21644

Unframed

Certificate of authenticity by Archivio Sumi ID 632

This work by Yasuo Sumi is so signficant that it was displayed at the exhibition "A visual Essay on Gutai", 12 Sep.-27 Oct., in New York at Hauser & Worth, one of the most important galleries in the world. All this is mentioned in the Certificate of Authenticity which is accompanied by a copy of the publication of the work on the site artinnewyorkcity.com dated 19 August 2012.

Signed bottom left

Private sale

Enamel on cloth attached to mesh

cm 104x90

1963-1992

Piece from "WORK 1956"

Code: 21641

Framed

Certificate of authenticity by Archivio ID 634

This is a reconstruction of the work shown at the 1956 Gutai Outdoor Exhibition. WORK 1956 was shown at Ashiya Museum nel 1992 and Venice Biennale- Passage to the East in 1993.

Signed center right

Private sale

Mixed media on wood panel

cm. 182x91

1963

Senza titolo

Code: 21263

Framed

Signed on the reverse

Private sale

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